Ode
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Origin
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Greek word “oide” meaning “song”.
Subjective Poetry.
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Definition
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A long
lyrical poem expressing the writer’s thoughts and feelings about a particular
person or subject.
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Example
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Wordsworth’s Hymn
to Duty, Keats’ Ode
to a Grecian Urn.
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Inventor
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Pindar (Greek poet)
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Features
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Not much lengthy,
lyrical in nature, highly serious in its tone and subject matter, elaborate
patterns of stanza, elevated theme, and written in metrical scheme, release
of emotion, figures of speech.
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Structure
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Kinds
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Pindaric and Horatian
ode
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1.Pindaric Ode
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Pindar was introducer.
Ben Jonson was he first who wrote in the Pindaric tradition namely Ode to Sir Lucius Cary.
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2.Horation Ode
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Named by Horace who
followed Pindar with great modification. Short lyric poem with meter and
rhyme written in the manner of Horace to praise person or object. Addresses
friend and love of friend. Andrew Marvell followed him in writing Horatian
ode and wrote ode upon Cromwell’s Return from Ireland.
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Ode to autumn Summary
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Autumn joins with the maturing sun to load the vines
with grapes, to grow apples and other fruit, "swell the gourd,"
fill up the hazel shells, and set budding more and more flowers. Autumn may
be seen sitting on a separating floor, sound asleep in a grain field filled
with poppies, carrying a load of grain across a brook, or watching the juice
oozing from a cider press. The sounds of autumn are the wailing of gnats, the
bleating of lambs, the singing of hedge crickets, the whistling of robins,
and the twittering of swallows.
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Sonnet
(Means sound)
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Origin: Italian word "sonetto"
(small song or lyric)
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A sonnet is a poem consisting of 14
lines and written in iambic pentameter. Each line has 10 syllables or 5 feets
with specific rhyme scheme.
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Introducer: Thomas Wyatt and the earl of Surrey in early 16
century.
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Types with rhyme scheme: Petrarchan
(Rhyme Scheme abbaabba and sestet ‘cdecde’), Spenserian, (Rhyme
Scheme: abab, bcbc, cdcd, ee;)Shakespearean (ababa, cdcd, efef,
gg;)
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Petrarchan Sonnets: This
form was used by Italian lyric poets like Guinicelli, Dante etc wrote love
poetry. It was Petrarch who introduced this major poetic form
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Spenserian’s Sonnets: Introducer=Edmund
Spenser, Example: Amoretti
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Shakespeare’s Sonnets : Introducer=
Shakespeare, He wrote 154 sonnets,
printed after 1609.
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Lyric
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Latin lyricus, Writers are
called lyricist.
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A Lyric is short, consists of fifty or sixty lines and a song to be
sung with the instrument lyre (lyra) to
give immense pleasure.
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Contributions:
Chaucer, Anglo-Saxon Writers (wrote
lyrics in elegiac tone on religion)
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Workers: They used
also lyric form of poetry.
Sidney, Spenser, Shakespeare, Herbert, Milton (in renascence period),
Keats, Shelley, Blake,
Wordsworth, Thomas Moore(in Romantic
period), Tennyson, Browning, Arnold, Manley, John Clare (In 19th Century)
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Elegy
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Greek word meanings “lament”
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Any poem which is written with subjects: death, war, love and similar
themes, used to lament or mourns for some tragic events like death of
individual.
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Contributions: Donne (His Picture, and Elegie on his Mistris
in 16th century)
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Pastoral Elegy: it
was introduced by three Sicilian poets: Theocritus, Moschus, and Bion.
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Workers: Milton Lycidas, Shelley’s Adonais and Arnold’s
Thyrsis, and Bion’s Lament for
Adonis. Sir Philip Sidney’s
Astrophil, Spenser’s Daphnaid.
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Features: Poet-mourns
or lament on the death of individual, use mythological characters, parade of
mourners, reflects great Justice and conflict sins.
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The
Epic
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Origin: Greek word
“Epikos” means word, story or poem.
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An epic is long narrative poem dealing with heroic achievements and
timeless human problems in seriousness, sincerity and pride style. Example: The
Faerie Queene by Edumund Spenser, Paradise Lost by John Milton
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Father of The Epic: Veda Vyasa
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Features: Oral, represent heroic ideal
culture, cosmic in scale and may be worldwide, narrated in ceremonial style,
elevation style (overwritten), poet is objective, scarcely based on
historical events.
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Heading
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Drama
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Origin
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Greek word, meaning “to do” or “to act”.
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Definition
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It is a composition in verse or prose presenting a story in acting or
dialogue, having conflict of characters, particularly the ones who perform in
front of audience on the stage. Writer of drama is called dramatist.
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Types
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Comedy, Tragedy, Farce, Melodrama, Musical Drama.
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Comedy
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Comedy is a type of drama with a happy ending and having comic theme
which make the audience laugh (or for amusing the audience). Example: Twelfth
night and Much Ado about Nothing by Shakespeare.
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Tragedy
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That presents a serious subject matter, darker themes, pain and
death, consequence of a tragic flaw, downfall etc. Example: Oedipus Rex
(Mythical and immortal drama)
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Farce
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Nonsensical sort of drama which often engages pleasantry humor.
Example: Shakespeare’s The Taming of the Shrew, The Importance of Being
Earnest by Oscar Wilde (Victorian Farce)
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Melodrama
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Exaggerated drama deals with sensational and romantic topic with
music that appeals the emotions of audience. Example: Kitty Foyle by Christopher
Marlow.
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Musical Drama
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Dramatists tell story by acting, dialogue, dance and music as well.
Story may comedic with serious subject. Example: The Heiress is based on Henry James’ novel the Washington
Square.
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.Elements
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Understanding drama, dramatic form, characters and actors and plot.
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Balled
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Latin word and Italian “ballare” means to dance.
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A poem meant for singing, quite impersonal in material, connected
with mutual or communal dance, submitted to oral traditions among people.
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Types: Literary
Balled, Folk Balled
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Literary Balled:
Composed and written formally, usually of folk ballad style but are said
orally. The literary ballad became popular during the Romantic era.
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Features: Beginning
is often abrubt, simple language, story is in dialogue actions, theme is
tragic, often refrain (a line repeated at the end of the stanza). And deals
with single episode, strong dramatic element, the narrator is impersonal.
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Folk Balled ( popular ballad):
was composed to be sung. It was passed along orally from singer to singer,
from generation to generation, and from one region to another. It is popular
along with the Anglo-Scottish in 15th and 16th centuries.
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